Overtone Singing and Throat Singing in Braunschweig: A Special Sound Day in Johanniskirche


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A Sound Day Full of Resonance, Breath, and Discovery in Braunschweig
On August 1, 2026, a special space for voice, body, and sound will open in Braunschweig: The workshop Overtone Singing and Throat Singing focuses on the conscious experience of resonance, mouth space, and breath control. In a combination of music in Hinterhaus and Johanniskirche, an unusual event experience emerges that is aimed at everyone who wants to explore their voice curiously, playfully, and beyond the usual.
Between Fine Overtones and Deep Vocal Energy
Overtone singing fascinates because it ideally makes two sound levels audible at the same time: the sustained fundamental tone and the shimmering overtones above. This sound world is the center of the day. The event emphasizes practical experimentation, direct guidance, and a sensitive awareness of one's own voice. This creates an intense insight into a singing technique that combines precision, calmness, and attention.
A Workshop with Character and Musical Signature
The format is organized by the music school Musikuss. On the website, Sven Waida describes his work as a mixture of musical accompaniment, improvisation, singing, and educational experience. This attitude is noticeably important for the workshop: It is not about perfection, but about open learning at one’s own pace. Participants are given space to discover their vocal possibilities and try out new sound colors.
The Special Atmosphere of the Place
Music in Hinterhaus and Johanniskirche at Kastanienallee 39 provide a fitting framework for a focused sound seminar. The place feels both approachable and calm, sharpening the perception of fine vibrations and voice nuances. In this environment, a special audience atmosphere unfolds: attentive, adventurous, and open to unusual listening experiences.
What Visitors Can Expect
The workshop runs from 11:00 AM to 6:00 PM and is designed for a small group. According to the event page, the maximum number of participants is 25, and the minimum is 3. The day is aimed at people who want to not only hear overtone singing and throat singing but also experience it themselves. Those who want to understand voice as an instrument will find a compact, practical introduction with plenty of room for individual experimentation.
Conclusion: A Rare Sound Course for the Curious and Voice Researchers
Overtone Singing and Throat Singing in Braunschweig promises an unusual day between music, body work, and sound awareness. Anyone eager for an intense, inspiring encounter with their own voice should experience this workshop live.
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